tennessee williams play the glass menagerie

Likewise, Rhiannon Clements plays Laura without the conventional fragility. Geraldine Somerville plays Amanda Wingfield not as some deranged southern belle, but as a caring, if overly attentive, mother her reasoning sound, her manner pleasant. So far so European art house, but Banerjee also upturns assumptions about the characters. Free and fluid, they give physical shape to the play’s emotional tug of war. Working with movement director Anthony Missen, the actors make dynamic use of this space, positioning themselves angsty distances apart and addressing the audience as much as each other. But when the glass unicorn breaks and the spell is broken, he returns to his own life, outside the Wingfields’ memories.‘Magnificent duet’ … Eloka Ivo as Jim and Rhiannon Clements as Laura, with Geraldine Somerville (right) as Amanda. Nonetheless, when the Wingfield's treat him as the high-school hero he used to be, and with the help of the candlelight and the music, he seems to slip into this memory. Unlike the other characters, Jim is not haunted by his past: he remembers his youth but does not feel the need to re-live it. Her delicate memories, such as being called “Blue Roses,” are much like her fragile glass menagerie in their perfection and fragility. Laura retreats to the past as a safe haven, a perfect world removed from time. When the gentleman caller arrives, she wears a ridiculously frilled dress and slips into a Southern accent, becoming her former self rather than accepting the reality of her present situation.

She clings to the Southern belle version of herself who received seventeen gentleman callers in a weekend.Īs the play progresses, and things do not work out as Amanda hopes they will, she clutches the past more desperately. Amanda uses her memories like a veil to shield her from reality. And the fact that the play itself is a memory he feels the need to transform into a play suggests that Tom has still not escaped that past. His repetitive actions, such as smoking and going to the movies, demonstrate both his desire to escape and the relentless cycle of the past. And yet there is something in it that holds him, too-he is compelled to return to memory over and over again. He sees the past as a physical and emotional restraint that prevents him from living his life. Tom the character (the Tom who Tom is remembering as he 'creates' the play) feels trapped by memory. As is fitting in a play that is itself a memory of the past, in The Glass Menagerie the past haunts all the characters.

That action is therefore dramatic, sentimental, and emotional, not realistic. In his monologue that opens the play, Tom announces, “The play is memory.” The play is Tom's memory of the past, and all of the action takes place in his head.

Tennessee williams play the glass menagerie