Spis treci 1 yciorys 2 Wybrana twórczo2 2.1 Powieci 2. Autor antyutopijnej powieci My, pierwowzoru Nowego, wspaniaego wiata Huxleya i Roku 1984 Orwella. 10 marca 1937 w Paryu) rosyjski pisarz science fiction, polityczny satyryk, krytyk i publicysta. Bela Shayevich's bold new translation breathes new life into Yevgeny Zamyatin's seminal work and refreshes it for our current era. We, A novel by Yevgeny Zamyatin is based one thousand years in the future when an oppressive government known as the One State rules the world. 20 stycznia / 1 lutego 1884 w Lebiedianie, zm. It was suppressed for more than sixty years in Russia and remains a resounding cry for individual freedom, as well as a powerful, exciting, and vivid work of science fiction that still feels relevant today. Set in the twenty-sixth century AD, We was the forerunner of canonical works from George Orwell and Alduous Huxley, among others. And, in doing so, he begins to dangerously veer from the norms of his society, becoming embroiled in a plot to destroy OneState and liberate the city.

Zamyatin provides us with a warning to integrate the dual sides of our human nature. That is, until D-503, a mathematician who dreams in numbers, makes a discovery: he has an individual soul. Life beyond the Green Wall: Limiting the Limitless in Zamyatins We. Like all of us, or nearly all of us (Zamyatin 1924/1993, p.

The narrator himself concedes in the very first entry of his Record that the Numbers are not entirely united: But I am ready. In a glass-enclosed city of perfectly straight lines, ruled over by an all-powerful 'Benefactor,' the citizens of the totalitarian society of OneState are regulated by spies and secret police wear identical clothing and are distinguished only by a number assigned to them at birth. The need for the killing of deviants in a world so regimented as Zamyatin’s OneState suggests that conformity can never be absolute. The chilling dystopian novel that influenced George Orwell while he was writing 1984, with a new introduction by Margaret Atwood and an essay by Ursula Le Guin

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